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Manchester’s WH Lung are on hand to provide it, garlanded with airy vocals and endearingly retro sonics. 168 Their ranting live shows gathered hype like a crowd round a bullhorn, and this debut album delivers – and then some.

Pop in 2019 has been all about spontaneity, whether that’s the off-the-cuff language that’s crept into the biggest pop hits or the intensifying feedback loop between pop and The title, the new age font, the tie-dye colours of the album artwork – they all indicate that Cate Le Bon wrote Reward during a year spent living in the Lake District and learning how to make furniture. But peel away the gaudy rollout, two misrepresentative lead singles and the baggage surrounding its creator and you’re left with an endearing, adventurous old-school pop album. The Chicago musician flips between them – from Zora Neale Hurston to James Baldwin – with warmth and close attention, her sandy voice full of tenderness and the jazz-influenced backing sun-baked and dazzling.



After Clairo’s lo-fi, bedroom-pop hit Pretty Girl went viral, there was the risk that her ascent to pop proper would obliterate the intimacy that made her appeal in the first place. Nevertheless, human decency still feels close at hand – not least from the man singing.

Like Caroline Polachek, Hannah Diamond and so many others this year, Amber Bain uses super-synthetic electropop and soft rock to say much rougher, grittier truths.

Titel kaufen As your browser speaks English, would you like to There are moments when Cave appears to be slowly coming to terms with what has happened: “Sometimes a little bit of faith can go a long, long way,” he sings.


Slowthai wryly evokes the forgotten parts of the country through snapshots of working-class life: tea and biscuits, hiding drugs, fallouts with a stepfather, EastEnders’ Phil Mitchell. Unburdened by modish musical trends – no guests, no genre crossovers – it was a feat of immersive beauty, the kind of record you might put on an old-fashioned stereo, dim the lights and sit through in one indulgent sitting, the better to appreciate its three-dimensional production washing over your skin like a gong bath. 48

While artists like Billie Eilish and Polachek have pushed pop into the future this year, King Princess joins Lana Del Rey in showing that there’s potential in classicism yet. With ambition and intent that should shame many of their peers, These New Puritans have crafted another suite of post-punk symphonies.
He gives more space than ever before to his vocalists, but he could never become a producer of straightforward backing tracks – his tumbling, symphonic funk is as impetuous and psychedelic as ever.

Titel kaufen On Boss, she goes in as hard as an aggrieved Wu-Tang member over a raw bluesy beat; on the very next song, Selfish, these spikes are melted into smooth R&B.

feel less like a history lesson and more like a glimpse into a beloved photo album.

Whether it’s bossa nova pop, Snail Mail-style slacker grunge or moody synthetic rock in the tradition of the xx, Yanya’s songwriting bar flexes and warps but stays permanently high. It makes Legacy! Remind Me Tomorrow was a grown-up record that didn’t sound jaded.

The 20-year-old – born Mikaela Straus – released a debut album filled with louche balladry that, despite her New York pedigree, is plump with west coast studio richness. Du möchtest keine Anzeigen sehen?